As part of a late 16th century outfit I was working on I wanted to add a leather jerkin. After spending many hours searching the internet and portrait books at the library I decided on a basic design I would use. It is loosely based on a number of images but resembles the following two the most.
Robert Dudley in a slashed, probably leather, jerkin of the 1560s
Portrait of a Young Man 1558
Prototype of the skieved edge, button hole and stitching through 5 layers of leather.
I cut the prototype apart along the stitching. I then transcribed the pattern, making some small modifications, to paper. I added seam allowances and space for some rolled edges. I measured out the lines for the slashing and pattern was set.
Felt mockup cut out and transcribed to paper for a permanent pattern.
Transcribed pattern to the leather and cut out the pieces.
Collar sections cut out.
Skirting cut and slashed.
Back cut out and slashed up...
I sandwiched both fronts together and taped the pattern them. I then slashed through all layers to ensure both sides would be symmetrical.
As you can see on the outside the hammering and gluing makes a very smooth and crisp line. The image on the left is before hammering and gluing.
To help with sewing I used masking tape and binder clips. Unlike sewing linen clothing I could not easily pin the pattern pieces together. I often used binder clips to hold the pieces together and removed them as I went along the seam.
Here is what the other side of the seam looked like once the clips were removed and stitching was done.
Here are a couple of the skirting pieces. I had taped them together to finish the sewing.
Finished seam as seen from the outside.
Stitching on the taps was the most challenging as I had to go through two layers for each tab as well as the jerkin shoulder. Each stitch had to penetrate 5 layers of leather. I skived the edges to thin out the stitching area but this was still the toughest portion.
Finished shoulder tabs from the outside.
I didn't stitch the button holes. I simply glued over the flap, punched a hole and used a razor to cut a slit. The double layers of leather glued together has been strong enough to hold the buttons firmly.
I wasn't sure how I would wear the jerkin. Some images show a gentleman wearing it buttons undone while other show the buttons fastened to the neck. Either way I like the way it looks and fits. The collar had to be loose enough to fit a rough and thick collar underneath. Fits well.
To attach the buttons I threaded the button through a hole along a line which would be the outside edge of the jerkin. I place a leather lace on the inside and tied the button to the lace. This way as tension was put on the button it would be less likely to tear out from the jerkin. All the pressure will be along the lacing which will distribute stress to the inside of the jerkin.
I folded over the edge to hide all the knots and then hammered and glued it up.
Similar assembly for the button on the bottom edge.
Button holes made by folding, hammering, gluing, punching and then slicing the button hole.
As of today I have not yet applied any oil or stain to the leather. I will probably oil and/or wax it but I don't plan on dying it. I really like the light color. I was afraid to oil it before the event as I wanted to make sure the color didn't change much at all. Now that the event it was created for has passed I will likely treat the surface with a light coat of oil.
Here are some images of the jerkin being worn with the finished outfit.